Minority - shares for paintings by Botticelli, Buonaroti, Caravaggio, Cezanne, Da Vinci, Gauguin, Giotto, Modigliani, Monet, Raffaello, Renoir, Picasso, Tintoretto, Tiziano, Van Gogh, etc. are the new form of investment for all investors who have previously invested in risky real estate, gold, bitcoin or equity transactions and lost.
For investors who, for lack of time but also for other reasons, have invested their money to date in risky real estate, gold, bitcoin or other stock transactions without really being able to generate the profits, a new alternative was created, but not with the usual risky real estate, gold, bitcoin or stock market transaction, but in the art world, which gives all investors the opportunity in the future, by buying a smallest shares of a painting by Botticelli, Cezanne, Matisse, Monet, Van Gogh, Michelangelo, Da Vinci, Picasso, etc., etc., and to make more profit, you could never generate with any kind of risky real estate, gold, bitcoin or stock market transaction, and the gallery of masterpieces now offers this unique possibilities.
The aim of the Gallery of Masterpieces is not only to sell on behalf of owners who want to remain anonymous their unique masterpieces to private customers, but also through well-known auction houses, the Gallery of Masterpieces now also to give to investors the opportunity to realize the purchase of the smallest shares of a very valuable painting that is usually only exhibited in galleries and museums and thus to generate very high profits that are not only paid in case of resale, but also fees when a painting is exhibited in the most famous galleries and museums in the world, because every gallery and museum pays to the owner of the painting for the exhibition a certain fee, which is always based on the value of the respective painting and these profits are paid to all owners, including those who have acquired the smallest shares of such a painting. What many also do not know is that the value of one of the above-mentioned paintings, which is exhibited in an exhibition, automatically increases by approx. 10% after each new exhibition.
Investment amount
The smallest investment to purchase a share of one of the paintings is zero-point-one (0.1%) percent of the insured value of the painting, which is free upwards and always depends on the value established by the insurance company and policy with which the insurance company insured the painting.
The maximum shares that each new investor can acquire in a painting are approx. forty-five (45%) percent of the insured value of the painting. The insurance value of each individual painting is strictly confidential and can be communicated in writing to the new and potential investor after completion the due diligence and copy of the Bank Conform Letter (BCL), from which can be taken that the new and potential investor has the financial resources to acquire the desired percentage of the painting.
Should a new and potential investor or buyer express an interest in buying one of the paintings we publish on our website without to acquire percentage shares, then he is asked to contact directly the administration desk of the Gallery of Masterpieces at info@gallery-of-masterpieces.com providing the necessary information about the painting he wants to buy as well as the necessary documents such as passport ID card, etc., etc., so that our administration can execute a due diligence and after directly contact the customer to discuss the details.
Profit
The profits generated by each individual investor with the purchase of a small portion of a painting can be between five (5%) and fifteen (15%) percent per year, because this depends on the investment amount, such as if an investor has acquired a share of Zero-Point-One (0.1%) percent of an painting, he can only generate the minimum profit of his investment amount than the investors who have acquired a higher investment amount of the painting plus the additional profits or fees that are generated when a painting is exhibited in the most famous galleries and museums in the world, for which every gallery and museum pays to the owner of the painting a certain fee for the duration of the exhibition.
Payment of Profit
The profits and fees generated are always transferred to the investor at the end of a year (December) by electronic S.W.I.F.T. Wire Bank transfer to his account, and always depends on the duration of his investment, which means that an investor who has invested in the month of July has only the rights to receive the equivalent profits of six months until December and not for the full duration of twelve (12) months.
Withdrawal from the contract
As a rule, a contract for the purchase of a smallest shares of such a painting is concluded with the Gallery of Masterpieces for a contract period of five (5) years. After the expiry of this period, the owner of a smallest shares of such a painting may contract for another five (5) Extend years or sell his shares to the Gallery of Masterpieces or other owners of smallest shares of such a painting at the current market value.
Should a Investor that hold the majority shareholder (more than 50% of the value) of an painting decides to sell a painting he has the obligation to announce this ninety (90) days in advance in the form of a registered letter that must be sent in original (Hard) by Post-mail to the Gallery of Masterpieces, so that the Gallery of Masterpieces can arrange what is necessary and in addition inform all investors that owns a smallest share and organize the payment of the equivalent percentage based on the determined value that this painting has achieved at the time of sale in net to a bank account of its choice.
Early withdrawal from the contract is no problem, because even before the end of the contract period, the investor receives the full investment amount plus the value increase for his participation. This means that if an investor has the intention to sell his shares in the painting, he can only do so via the Gallery of Masterpieces, because the sale to third parties who do not own any shares of such a painting is categorically prohibited.
Inheritance of the shares
The owner of a smaller part of this painting that he owns himself can already transfer his shares and the contract before his death to the closest circle of his family, his spouse, his registered partner or his children, so that they can continue to use the parts of this painting in compliance with the conditions provided for in the contract signed with the Gallery of Masterpieces.
Artist: Raffaello Sanzio Urbino
Medium : Oil on Canvas
Dimensions: 52,2 x 37,7cm
An oil and tempera painting on a wood support (so-called: “tavoletta” or “tablet” or “panel painting”), showing Mary who sits enthroned, the infant Jesus, Catherine of Alexandria, St. Jerome and a donor.
- Art Loss Register verified.
Export license under the Swiss Legislation: Federal Act of 20 June 2003 on the International transfer of cultural Property (CPTA).
The painting is owned by a private collector, which holds all the rights.
Soon this amazing painting will be for sale and if you are interested please do not hesitate to contact us.
Artist: Michelangelo Merisi da Caravaggio
Medium : Oil on Canvas
Dimensions: 119 x 171cm
Estimated date of execution: 1607 (Naples/Malta)- based on canvas material comparative analysis, technique evaluation and documented historical references by Bellori.
- Art Loss Register verified.
Export license under the Swiss Legislation: Federal Act of 20 June 2003 on the International transfer of cultural Property (CPTA).
The painting is owned by a private collector, which holds all the rights.
Soon this amazing painting will be for sale and if you are interested please do not hesitate to contact us.
La Calunnia
Year: between 1491 and 1495
Dimension: 62 cm X 91 cm
Material: Tempera (from the Latin temper - mix) on panel
Private collection and kept in the Uffizi Gallery in Florence.
This is one of Botticelli’s most famous paintings because it is his best depiction of the ekphrasis genre. An ekphratic painting is a rhetorical device that tries to relate to another art medium and recreate its essence and form.
It’s a mixture between adaptation and synergy. Here, Botticelli is trying to recreate a lost painting from the ancient Greek artist Apelles based purely on a description found in commentaries by Pliny the Elder and Lucian.
The figures represent vices and virtues. This is a very complex painting with many meanings and allegories that are still difficult for art historians to digest. This is because we don’t know who exactly it was intended for. Unfortunately, as the original painting is also lost, we cannot draw many comparisons between the two.
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